Friday, April 18, 2008

Coming Soon..

1. Andariki Vandanalu


2.

Ankit, Pallavi & friends is a Telugu film, starring Nikhil & Megha Burman, directed by Hari Ellati. Produced by Kishore Ganji, and music composed by Vinu Thomas. This film released on .

Credits

  • Banner: Innovision Cinema
  • Starring:
  • Producer: Kishore Ganji
  • Director: Hari Ellati
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director: Vinu Thomas
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers:
  • Lyrics:
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon
  • Stunts:
  • Editor: Gowtham Raju
  • Singers:
  • Lyrics: K K Raj
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon

3.

Ardham Chesukoru is a Telugu film, starring Bhushan and Tejaswini, directed by Ravi Mulakalavalli. Produce

d by LD Kinnera, and music composed by. This film released on .

Bhushan - grandson of veteran actor Raktakanniru Nagabhushanam - is making his debut as

hero with a film

titled Ardham Chesukoroo.

This film launches Tejaswani as

heroine. Ravi Mulakalavalli

directs this film. LD Kinnera

produces this film.

Muralimohan sounded the clapboard on the lead pair. Tammareddy Bharadwaja s

witched on the camera. K Raghavendra Rao directed the first shot.

The title of this film is inspired by Bhanu Priya’s catch line in Swarna Kamalam film ‘Ardham Chesukoroo.’ The first schedule starts today

and en

ds on 21 June.

  • Banner:
  • Starring:
  • Producer: LD Kinnera
  • Director: Ravi Mulakalavalli
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director: Ravi Mulakalavalli
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers: Chitra, Unni Krishnan, Ramana, Sahithi, Deepu, Anushka
  • Lyrics: Ravi Mulakalapalli
  • Audio:
  • Publicity Designer:
  • Release date: coming Soon..

4.

arundhati


5.

Bathukamma is a Telugu film, starring Sindhu Tolani and others, directed

by -

--. Produced by ---, and music composed by Prabhakar. This film released on .

Credits

  • Banner:
  • Starring: Sindhu Tolani and others
  • Producer:
  • Director:
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director: Prabhakar

  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers: SP. Balasubramaniam, Gayatri, Srikan th, Pramod Kumar , Chaitanya, Rama Devi, Bandaru Sujatha Se khar, Thelu Vijaya
  • Lyrics: Gorati Venkanna, Nagapuri Rajamouli
  • Audio:
  • Publicity Designer:
  • Release date: Coming S o o n...


6.

Blade Babji is a Telugu film, s tarring Allari Naresh, Sayali Bhagat, Ruthika and Kausha and others, directed by ---. P roduced by ---, and music composed by ---. This film released on Summer 2008.
  • Banner:
  • Starring: Allari Naresh, Sayali Bh agat, Ruthika and Kausha and others
  • Producer:
  • Director:
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director:
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers:
  • Lyrics:
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon.....
7.

Bommana Brothers Chandana Sisters is a Telugu film , starring Allari N

aresh, Farzana, Krishna Bhagwan, Jayaprakash Reddy, LB Sri ram, Jeeva, MS Narayana, Brah m anandam and others, directed by . Produced by Ammiraju Kanu milli and music composed by Srilekha. This film released on S ummer 18 April 2008.8.

Brahmanandam Drama Company is a Telu

gu film, starring Shivaji, R

avi K

rishna, Bramhanandam, Kamalini Mukarji ,

directed by E Srikanth. Prod

uced by Palli

Kesava Rao and K Kishore and m

usic composed by . This film released on.

Mahurat

Sivaji, Ravi Krishna and Brahmanandam are

actin

g together for a film to be dire

cted by E Srikanth on Sriramachandrulu films

banner. Palli Kesava Rao and K Kishore are the pr

oducers.

N Surya Prakasa Rao sounded the clapboard, Gemini Kiran switched on the camera and Tammareddy Bharadwaja dir

ected the first shot.

It is a remake of Bhagambhag Sivaji said, “This

is a remake of Hindi blockbust

er Bhagambhag. The technicians who worked for Sriramachan

drulu ar

e doing this film. Brahmanandam is doing a vital rol

e. There will be good importance to the music too.”

Ravi Krishna said that this film is going to be a hilarious comedy.

Producer Palli Kesava Rao said that this film will have f

oreign backdrop lik

e Bangkok, Singapore and Malaysia.

Director Srikanth said that this film will bring him recognition not only as

a comedy director but a commercial director too. Heroine Kamalinee M

ukherjee has a different role. This film has entertainment, crime and suspense.

Credits

  • Banner: Sriramachandrulu films
  • Starring: Shivaji, Ravi Krishna, Bramhanandam, Kamalini Mukarji and others
  • Producer: Palli Kesava Rao and K Kishore
  • Director: E Srikanth
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director:
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers:
  • Lyrics:
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon

9.


10.

Deal
Directed by Vasant, a student of not ed director K Balachander, a Tamil hit film with Surya and Jyothika in the lead is being dubbed into Telugu as Deal by D. Balaji on the banner of New Dream Creations. Vijayakumar, Nazar, Ambika, Kavita, Vadivelu and others are in the cast. Dialogues are by Rajasekhar Reddy, while Sripal Reddy is presenting the movie.

11
Deepavali


12.
Dhada

13.

Donga Sachinollu is a Telugu film , directed by Raja Vannemreddy and produced by J. Sambhasiva Rao and Ch SV Prasad Under Sasidhar Productions. The film will be released in March , 2008.

The movie launch function was held on October 22 , 2007.. Muhurat shot was clapped by Dasari Narayana Rao, camera was switched on by Mohan Babu and the first sh

ot was directed by Rama Naidu.

  • Banner:
  • Starring: Krishna Bhagavan, Raghu babu, Rambha, Ali, Brahmananda m, Dharmavarapu Subramanyam, M. S. Narayana, Venu Madhav
  • Producer: J. Sambhasiva Rao
  • Director: Raja Vannemreddy
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director: M.M. Sreelekha
  • Cinematographer:
  • Choreographer:
  • Art Direc tor:
  • S tunt s:
  • Editor:
  • Singers :
  • Lyrics :
  • Audio:
  • Publicity Designer:
  • Release d a te: Coming Soon
14.
Gadi No.305 L o Devudu


15.
16.
Hari Om

17.

Kantri is an upcoming 2008 film starring

Jr. NTR, Hansika Motwani, Tanisha Mukherjee, and Prakash Raj. The film is directed by Meher Ramesh, who is a protege of Puri Jagannadh. The movie is produced by the prestigious Vyjayanthi Movies banner, being produced by C. Ashwini Dutt. The music of the film was launched on March 29, 2008 and the

film is

set to release on May 9, 2008.

Crew

18 .
Kurkure

19.
Mallana

20.
Maa Aayana Chanti Pilladu

21.
Maidanam

22.

23.

Muhurtham
  • Praveen (Hero)
  • Krishna Smitha (Heroine)
  • Tony
  • Babu Rao
  • Dev
  • Raghu
  • Naveen
  • Vijay Mithra
  • Suresh Dasari
  • Suresh
  • Deepthi
  • Sandhya

Crew

  • Genre: Patriotic
  • Type: Direct
  • Banner: Sea Horse Entertainment
  • Story, screenplay, and director: Ravi Tenali
  • Co-Director: Murali
  • Producers: Kranthi Thota and CH. Srinivas
  • Music: Gopireddy Anil
  • Lyrics: G.R. Anil
  • Editor: Nandamuri Hari
  • Writer: Vemuri Satyanarayana
  • Camera: K. Bangaru Chowdary
  • Costumes: Venkateshwara Rao
  • Release Date: Coming soon
24.
Mukkant
  • Tarakaratna (Hero)
  • Saamna (Heroine)
  • Pooja Gandhi (Heroine)
  • Rajkiran
  • Ashish Vidhyarthi
  • Pasupati
  • Anuradha
  • Brahmanandam
  • Ali
  • Abhinayasri

Crew

  • Banner: Amrutalya Cine Creations
  • Producer: K.K. Usha
  • Director: Rajkrishna
  • Music: Srikanth Deva

25.

Ninna Nedu Repu is a Telugu film, starring Ravi Krishna,

Akshara, Tamanna, Brahmanandam, Nazar, Venumadhav and others, directed by Lakshmikanth Chenna. Produced by Nukarapu Suryaprakasha Rao

and music composed by . This film released on.

Credits

  • Banner: SPR Entertainments
  • Starring: Ravi Krishna, Akshara, Tamanna, Brahmanandam, Nazar, Venumadhav, Lakshmip ati, Uttej and others
  • Producer: Nukarapu Suryaprakasha Rao
  • Director: Lakshmikanth Chenna
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director:
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers:
  • Lyrics:
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon..
26.

Pandurangadu
  • Banner:
  • Starring: Balakrishna, Sneha, Tabu and others
  • Producer:
  • Director: K Raghavendra Rao
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director: M M Keeravani

  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers:
  • Lyrics:
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon.




27

28.
Puli


29.
 Ramudu Manchi Baludu

30.

Ready


  • Banner:
  • Starring: Ram, Genelia and others
  • Producer:
  • Director:
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director:
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers:
  • Lyrics:
  • Audio:
  • Publicity Designer:
  • Release date: Coming Soon
31.


Sangamam
  • Banner: Manoranjan Entertainment Pvt Ltd
  • Starring: Rohit Khurana & Sindhura Gadde and others
  • Producer: Ramana Pemmaraju, Dr Kripakar P Tadikonda
  • Director: Rasool Ellore
  • Story:
  • Screenplay:
  • Dialogues:
  • Music Director: M M Keeravani
  • Cinematographer:
  • Choreographer:
  • Art Director:
  • Stunts:
  • Editor:
  • Singers: Bhargavi Pillai, MM. Keeravani, Pranavi, Nani, Arun, Sunitha, Geetha Maduri
  • Lyrics: Anantha Sriram
  • Audio:
  • Publicity Designer:
  • Release date:
32.

 Salute

33.

 Ullasamgaa Utsahamgaa

34.

Varakatnam

35.

Veera



























Posted by welcome at 2:27 AM 0 comments

Monday, April 14, 2008

Comedy videos

Telugu Comedy Sunil,Venkatesh in Malleswari Movie

adavari matalaku ardale verule comedy

Telugu Comedy - Venumadhav Comedy - Laxmi Movie

azad-comedy-bramhanandam

athadu-comedy-bramhanandam


boss-bramhanandam-comedy

Bramhanandam Keka

pellaina kotthalo -comedy3

Desamuduru - ali comedy

Posted by welcome at 11:35 AM 0 comments

Saturday, April 12, 2008

Audio FunctionS&INTERVIEWS

Jalsa Audio Function


CHIRU SPEECH IN PARUGU AUDIO



SEXY KAMALINI MUKHARJEE WONDERFUL DANCE IN GAMYAM INTERVIEW


TARUN ILIYANA INTERVIEW ON UGTADI FOR BHALE DONGALU

Posted by welcome at 8:41 PM 0 comments

Trailers

JALSA



KANTRI




PARUGU



Bhale Dongalu



Bujjigadu





Gamyam




Posted by welcome at 8:21 PM 0 comments

RAMBLINGS ON GAMYAM








What is the purpose of a movie? No, this is not about what a movie generally aims for - a couple of hours of entertainment, where people can forget their lives, their problems and even themselves for a short while and just have a good time. The question is not about what movies mean to the outside world, but to what purpose does a movie go on for a couple of hours. What is the end result of a movie? Is anything learnt? Are the characters wised up with their cinematic journey? What would happen to the lives of those fictional characters after the movie ends? In "Siva", a path breaking movie, at the end Siva kills Bhavani and presumably the police arrest him for it. But his character started off as one who rebels against the existing goonda culture and in the process becomes a ruffian himself, even if it is in the Robin Hood mold. After Siva's arrest what could have happened to the empire he built? Would another guy rise up to Siva's brutalities, just like how he did against Bhavani, to usurp Siva's throne? If Siva had to become a slightly lesser evil than Bhavani, to counter Bhavani's atrocities, what has he achieved at the end, than just settling a personal score and exacting vendetta against a street thug. "bhavaani laanTi vaaLLanu antam cheyyaali anTae, alaanTi vaaDini puTTinchae aa vyavashtanu maarchaali" - Lofty ideal, but his execution was less than ideal. It is not often that movies, particularly the mainstream ones, have a defined purpose, apart from the biographical movies of inspirational persons, which have the personal realization and subsequent transformation neatly built into its theme. Not many in the fictional kind come with a defined purpose - taking an individual with one viewpoint/mindset and changing him for better at the end, so that he could continue in his fictional world, even after the movie is over, and be a productive contributing member of the society he inhabits and interacts. The purpose of the movie in that case, is the enlightenment of the character, something that is rarely found now a days.

There is something that is deeply humbling and profoundly influencing about journeying/traveling. Not only is the constant exposure to the diverse elements - natural and man made - enriches the mind in its own way, but also a person tends to grow a lot more empathetic and responsive to his surroundings. And it is not just for the convenience of the story of having different characters interact with the hero and change him for better. That would in fact lessen the impact, such kind of simplicity. To delve into the true nature of the effect of travel on the mind of man, it is really important to look at the lives of historical figures, who built their lives around traveling from place to place, amassing inordinate amounts of wealth, in human experience, human understanding and human suffering. It is only after Prince Gautama stepped out of his comfort zone and confronted the frailties of life for the first time, did he set upon to ultimate realization. Swami Vivekananda's self-awakening was centered around his journey through the length and breadth of the country. His journey wasn't just about moving from one place to another. His journey was his discovery of profundity of culture that pervaded and seeped into the everyday lives of the common men, who went about their ways. Only at the end of his journey did he realize the true meaning of the term, ethos. Another shining example that greatly benefited through long bouts of travel is Mahatma Gandhi. 'India lived in its villages', he proclaimed once. He said that, not in his plush office, sitting behind his comfortable desk. He traveled, he saw, he understood, he realized and thereby, he became. 'I think, therefore I am', the famous philosophical statement of Descartes might be for olden times. 'I travel, therefore I am' is more relevant for these times, for, the act of traveling is a meta-physical exercise, impacting the mind more than the body.

'Gamyam' in what is probably a very long time, is a very meaningful movie that tried to tackle the ever so important purpose theme, by marrying the concept of self-discovery to the process of traveling. Everything about 'Gamyam' is very well defined. Aim: Purpose; Apparatus: Travel; Procedure: Journeying; Conclusion: Self-realization. Road movies are very episodic in nature. Here, except the main characters, the rest of the lot do not repeat and consequently, since the aim is to project the personal growth of a human being, each episode serves a specific purpose in the ultimate scheme of things, so that at the end of it all, each of these individual pieces add up, to ultimately matter in the eventual mindset. If man is the product of his environment, it is only natural that he be exposed to different kinds, to develop a comprehensive understanding of the society around him. The preconceived notions, prejudices, aversions and hatreds are mainly the manifestations of ignorance - ignorance of culture, ignorance of habits and plain ignorance, of people. In here, the hero's motivation of finally getting the girl is secondary to the main setup. Though named 'Gamyam', the movie is not about (in fact, never about) the end result, the goal. It is about what happens on the road to the goal, the path of self-discovery, that makes the result as much savory and as much gratifying. Venturing out of the halls of safety and walls of comfort, the movie moves along with the protagonist viewing the world in all its glorious contradictions, stark contrasts and unsettling truths, making an apt point at the end, that the beauty of life lies not in its 'Gamyam', but in its 'mahaa prasthaanam'.

Posted by welcome at 8:13 PM 0 comments

Ramblings on film JALSA














he temptation is too hard to resist. With the over-abundance of technology, and its relative ease of use, it is tough to control the urge of tweaking and tinkering forever. It is never more evident than in the current music industry. Gone were the days, when the all the technicians (musicians and the singers) gathered in smoke filled sound proof booths and toiled to get the composition just right. Even the slightest deviation or a simple mistake forced the repeat the painful process all over again. And it is precisely for this reason that songs of yesteryears sounded pretty economical in their intent (whether the result was always appealing is a different matter altogether). They conveyed just what they set out to, nothing more and nothing less. Now, thanks (or, no thanks) to the latest technological innovations, a composer can sit in front of a huge programmable keyboard, capable of playing any instrument of his choice, without the unnecessary hassle of a live musician, and set out chiseling the song till, what he thinks is, pure perfection. It does not cost him anything extra to play out endless variations of a simple piece. At the end of it all, the resulting composition may sound very rich, very resource intensive. But burdened by the multiple layers of over-production, is the actual melody somewhere, deep, hidden, gasping for a little breath.

Welcome to the world of over-indulgence. Here, a whim costs next to nothing, a fancy is pretty much thrown in for free just for walking through the door, a fantasy probably comes with a bargain deal. Under such circumstances, where quantity has long surpassed quality as the yardstick for satisfaction, it begs to be asked, if abundance and ease of use of anything work for the benefit of something or detriment of the same?

'Jalsa' makes a very valid case for how excess overwhelms creativity. Right from the conception to the execution (scripting to direction), the movie smacks of over-wrought production. It might have started with a simple thread of how a guy, tried and tried, at love, and ultimately succeeded. Like the melody case above, the concept is short, sweet and cute. As to why it was thought that factionism, naxalism and socialism could be seamlessly integration or conveniently layered over a completely different theme, could be anybody's guess. It was as though it were two different movies altogether, rough stitched over each other - sweet first-half and a tone-deaf second half - like the double-bill features that are played during 'Sivaratri jagarana' days - the first one, a devotional 'Bhukailas' coupled with a talk of the town feature 'Pokiri' - an ill-adjusting marriage, made in hell.

First, the script and the direction. 'Jalsa' is a classic example for how wrong things can go, if the director cannot decide (even before starting the movie) about the overall tone of his presentation. Is it supposed to be an upbeat entertainer or a thought provoking kind or even one that is a little skewed in its perspective? It is so very important getting this single fact straight and right, as the sudden tonal shifts have the devastating capability of taking the audience right out of the scene, or worse, making them respond to a scene in exactly opposite way to its expectation. Trivikram's earlier venture 'Atadu' got it just right where anything involving the hero, a professional killer, is calm, subdued and restrained - even during the comedy, sentiment and the action episodes. The tone speaks true of the character and therefore the emotional graph adjusts quite nicely to the twists and the turns. The same tonal compass seems to have gone completely astray in 'Jalsa', when a supposedly grounded and clear-headed hero mouths off sermons for violence, against violence, for socialism and for opportunism, in successive scenes (and played in very over-the-top style), making it amply clear, that the one key ingredient that went sorely missing in the movie was, clarity. Nothing could serve as a better example than the farcical encounter episode in the forest. Coming right after a highly charged scene, where the hero reveals why he turned to the forest for survival, the encounter episode is played as a subdued comedy. It isn't clear what the director expects of the audience at the end of the scene - a comedic relief? a quiet introspection? or a cigarette break? Enough to say that it fails on all these counts. And the entire second half leap frogs from one tone to the next with scant regard to what happened just before. The movie would have worked well had it been a short skit collection, where it is announced beforehand in the disclaimer (together with the anti-smoking and anti-drinking messages), that each scene bears no responsibility to the one preceeding it or the one following it. Now that would have been interesting.

Next, the production. The producer needs to be rapped on the knuckles for letting the production run amuck. Richness in production has nothing to do with the number of extras in a scene, number of vehicles destroyed in an action episode, or lavishness in the set design when it never needs one. An example - the hero, searching for a goon, crashes his van into a building, rides up the stairs, and strikes up conversation with him. At the end of the conversation, a huge chandelier drops from the roof, replete with ear-splitting sound, electric sparks and fire. Just what purpose did the unwanted licentiousness serve the scene - crashing the van through the door, riding it upstairs, dropping a chandelier - is best left to the imagination of the director and the gullibility of the producer. A director needs to EARN every penney that is portrayed on the screen, and the producer needs to ACCOUNT FOR the same. Similarly, another sequence - the villain chases the hero with a sword, through a religious procession. Meanwhile, someone who is erecting a huge hoarding (the really big ones that are currently the rage in cities) standing on top of a scaffolding, hung high up in the air, notices this and with a huge cry, drops the hoarding. And so it comes down - the hoarding, the guard railings, the tug wires and the electrical wires , and the constant fixture - electric sparks and fire. To what extent that unnecessary expenditure translated to moving the story along - again - a director's free ride on the producer's dime. 'Jalsa' is a movie that wallows in excess, indulges in extravagance and celebrates wastefulness. That's a shame, considering the really sparkling dialogues and a sweet little story, that were dying to be heard buried underneath the rubble above.

Posted by welcome at 8:05 PM 0 comments

NEW MOVIES






Posted by welcome at 7:39 PM 0 comments

Bhumika Chawla


BHUMIKA CHAWLA PROFILE:

Original Name: Rachna Chawla
Screen Name: Bhumika Chawla
Nickname: Gudiya
Born: August 21, 1978
Birth Place: Delhi, India
Nationality: Indian
Height: 5'3"
Mother tongue: Hindi
Profession: Actress

FAMILY:
Father: Colonel A S
Mother: Bali Chawla
Siblings: Elder brother & Elder sister

Marital Status: Single
Boyfriend: Bharat Thakur (Famous Yoga instructor)

FAVOURITIES:
Heroes: Aamir Khan and Amitabh
Heroines: Madhuri Dixit and Julia Roberts
Holiday spot: Hill stations
Color: Black and White
Pets: Dogs
Car: Rolls Royce
Dress: Pants and Kurthas

Hobbies: Reading, listening to music and traveling and her favorite traveling spots include hill stations
Languages Known: Hindi, English
Debut Movie: Yuvakudu (Telugu)

Sweet dreams: Oops, I dont get sweet dreams. Only nightmares. But dont ask me about those nightmares. If I tell it would be a nightmare to you.

On Ad films: Good to work with ad films. I am glad I have started my career with ad films. It is there where I have learnt nuances of acting and expressions.

Awards: Best Actress Award for the film Kushi in Telugu

BHUMIKA CHAWLA & HER BOYFRIEND BHARAT THAKUR

ENTRY TO THE TELUGU FILM INDUSTRY:

Bhumika Chawla was born on 21st of August.She has completed her schooling in Delhi. Her father and Elder brother are in Defence Service. Elder sister got married. She is the youngest of the family and living with her mother, currently. She moved to Mumbai in 1997 and started her career with ad films and Hindi music video albums.


Her first film "Yuvakudu" in Telugu was released in the year 2000. Her second film "Khushi" with Pavan Kalyan was a super hit in Telugu. She got the 'Best Actress Award' for the film Kushi in Telugu. Since then she hasn't looked back. She has so far done five films in Telugu and two in Tamil.

Bhumika has no airs about her newly attained stardom. She's simple, yet elegant. With her graceful movements, warm smile and a great blockbuster movie to her credit, Bhumika has carved a niche for herself in the hearts of many. As a bright faced college girl, she caught the attention of ad film-makers in Mumbai. Her campaign for Ponds powder became so popular, that inevitably the film offers followed.


She feels glad that she had started her career with ad films. It is there where she had learnt nuances of acting and expressions. She has debut in hindi films from "Tere Naam" in 2003 opposite Salman Khan. It was hit. After that her one more film released in this year(2004), Run opposite Abhishek Bachchan.

Bhumika has been inevitably flooded with offers from both in Tamil and Telugu industry. Yet, contrary to the general grain, she has not jumped at them. Instead, she has decided to take things one at a time. 'I don't like to clutter my plate,' she says matter- of- factly. Her conviction is so deep-seated that she has refused a film with Manirathnam.

Bhumika can afford to have such a laid back outlook because she does not see acting as a profession or a means to an end. For her, it is an interesting medium for communicating. She is into acting because she loves it. Critics saw in her performances, in Khushi and Tamil Badri and Rojakootam, a spark and spontaneity that even seasoned artistes find difficult to achieve. 'She is an absolute natural. Combine this with her beautiful looks, you have an actress who is bound to go places,' says a film critic.


She said her ambition is to win a National Award for Best Actress after winning the hearts of audiences, with the support and appreciation of colleagues of Cinema field. She is simple and enjoys what she is doing. Her only credo in life is, give your best and enjoy your work.

BHUMIKA CHAWLA FILMOGRAPHY:



AS AN ACTRESS:

Telugu Movies:

* Swagatam (2007) (Filming)
* Anasuya (2007) (Filming)
* Satyabhama (2007)
* Nuvvu.. Nenu... Prema (2007) (dubbed from Tamil)
* Maya Bazaar (2006)
* Jai Chiranjeeva! (2005)
* Naa Autograph (2004)
* Aadante... Ado type! (2004)
* Samba (2004)
* Missamma (2003)
* Simhadri (2003)
* Okkadu (2003)
* Vasu (2002)
* Roja Poolu (2002) (Dubbed from Tamil)
* Snehamanthe Ideraa (2001)
* Khushi (2001)
* Yuvakudu (2000)

Hindi Movies:

* Three Much (2007) (Announced)
* Benaam (2007) (Filming)
* Gandhi, My Father (2007)
* Family - Ties of Blood (2006)
* Dil Jo Bhi Kahey... (2005)
* Silsile (2005)
* Dil Ne Jise Apna Kahaa (2004)
* Run (2004)
* Tere Naam (2003)

Tamil Movies:

* Jillendru Oru Kaadhal (2006)
* Badri (2001)
* Roja Koottam (2001 )

Posted by welcome at 11:55 AM 0 comments
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